The Power of Stories

For the last few years, Joan and I have gone to the State Theater in Modesto to see the Oscar-nominated short films. There are three categories: Animated, Live Action, and Documentary. I don’t research the movies ahead of time. I try to have an open mind and experience the film as the creators intend. Over the years, there have been some outstanding films, and there have been some stinkers, but I always learn something—even if it’s simply discovering what I don’t like.

Animation is a powerful storytelling technique. I once assumed it was meant mainly for children, but some of the best shorts I’ve seen have been animated. They combine incredible artistry with meaningful stories in a way that can be surprisingly powerful.

These films also prove that it doesn’t take long to tell a profound story if every scene is filled with purpose and meaning. This is where short films really stand apart from full-length features. The filmmakers don’t waste a minute of screen time. Because of that, the short documentaries can be especially impactful. Most of this year’s documentary nominees told highly emotional stories, and frankly, some of them were difficult to endure. Four of the five involved the deaths of innocent children.

Even with the audible commentary from others in the theater, I tried to remain neutral about the films’ obviously intended political messages. These stories deal with moral subjects, and our society continues to try to define morality in its own terms. I couldn’t help but think of a line from the Civil War film Cold Mountain: “I imagine God is weary of being called down on both sides of an argument.” For me, the entire experience became a lesson in recognizing the human dignity inherent in every person—each one created in God’s image.

I have to admit, I was miserable when I walked out of the theater. I was drained and emotionally exhausted. But the experience forced me to confront evil, a necessary step if we want to recognize goodness and joy. In that sense, it felt fitting during the season of Lent, which focuses on sacrifice and reflection in preparation for Easter. You have to understand the darkness if you’re going to appreciate the light.

That is the power of film. At its best, it becomes transformative art—capable of challenging us, teaching us, and reminding us what truly matters. And sometimes, the stories that leave us the most uncomfortable are the ones that make the deepest impression.

Here are my recommendations from this year’s nominees:

Oscar Nominated Animated Short Film

Favorite: Forevergreen

Honorable Mention: Retirement Plan (Funny)

Oscar Nominated Live Action Short Film

Favorite: A Friend of Dorothy

Honorable Mention: Jane Austen’s Period Drama (Funny)

Oscar Nominated Documentary Short Film

Favorite: All The Empty Rooms (Oscar Winner!)